23. October – 17. November 2012, Budapest
a project by Igor Metropol | www.igormetropol.org/sriat
Due to the changing political and cultural climate in Hungary, the topic of art and social responsibility seemed more urgent and relevant than before. The project “SRIAT: Social Responsibility in Art” created a platform to investigate the role of an artist within the society on an international level. The discussion on social responsibility was facilitated via three channels: a public panel discussion at the Ludwig Museum Budapest, a practice oriented workshop led by the Berlin based artist Thomas Kilpper and the resulting exhibition. Following an open call, 12 participants from the Hungarian Academy of Fine Art and from abroad were selected to participate in the two week workshop and in the collective exhibition. During the workshop, young people were encouraged to deal with the potential of transforming criticism into artistic practice. SRIAT’s goal was to give a time frame and a free space for experimentation around an array of relevant issues (freedom of speech, the role of the public space, centralized power contra democracy in the cultural field, domestic violence, nationalism vs. identity), introducing a democratic and collective approach to artistic creation. The participants were working and exhibiting at “Wang’s”, a vacant property which has been serving as a Chinese restaurant until recently.
1. SRIAT Discussion: “An Appeal for an Alternative”
24. October 2012
at the Library of Ludwig Museum – Museum of Contemporary Art
Miklós ERHARDT (Vienna/Budapest), Lilla KHOÓR (Budapest), Thomas KILPPER (Berlin), János SUGÁR (Budapest), moderated by: Szilvia NAGY (Budapest)
The title of the roundtable-discussion reflects upon Beuys’ call to artists to take action in shaping society the society. Though his views are based on the 1970s institutional critique, the underlying questions repeatedly get into the focus of the artistic discourse: nowadays mostly through the critical analysis of political, social and economical changes.
The roundtable discussion introduced and questioned different artistic positions on the topic of art + social responsibility and investigated, how the critical approach of an artist is transformed into artistic practice. What does Beuys’ concept of “Social Sculpture” mean in this context? May or should the society be shaped through art? How can an artist act responsibly toward the community? Local and global perspectives were highlighted and discussed.
2. SRIAT workshop
24. October – 5. November 2012
in the ex-Chinese Restaurant “Wang”, Budapest 1114, Bartók Béla út 29.
held by Thomas KILPPER (DE)
We invited the German artist Thomas Kilpper to hold a 2 week practice-oriented workshop questioning the complex role(s) of artists within current societies. Freedom of Expression, Activism in Art, Socially Engaged Art and it’s relevance within the art (world) is not only a matter in Hungary with its current developments, but also a global and general topic on contemporary art. Based on the experiences of recent projects by Kilpper, such as the “Pavilion for Revolutionary Free Speech” at the 54. Venice Biennial or the “State of Control” at the former GDR State Security Headquarter, the starting point of the workshop will be the topic of “Freedom of Speech” in democratic and other constructions of society. The group researched and developed different strategies of artistic involvement within these systems, starting with a field study in the public space of Budapest on October 23rd, National Holiday of commemorating the Hungarian Revolution of 1956. Developing new and experimental art-practices, the result of the collaborative work was shown in a public exhibition. Working and exhibition space of the project was an ex-Chinese restaurant in the new emerging cultural street, Bartók Béla út, in a house, which also used to be the home of László Almásy. The unusual location also provided material for artists interested in site specific projects.
During the workshop period, there have been meetings with Hungarian artists Miklós Erhardt and Gabriella Csoszó. These internal meetings gave the opportunity to get acquainted with their artistic approach, to support the exchange of artistic perspective in an informal and personal way. Furthermore a group of volunteers was working on researches about different art works and projects related to the topic. The results have also been presented during the workshop.
3. SRIAT Exhibition: “At Wang’s”
opening: 5. November 2012
opening times: 6. – 17. November 2012, 16.00-19.00
in the workshop space, Budapest 1114, Bartók Béla út 29.
Mike AINSWORTH (UK), Laura ARENA (USA), Gábor ERLICH (HU), Judit KIS (HU), Esztella LEVKO (HU), Davor PAPONJA (BiH), Bence PÁLINKÁS (HU), PR csoport: Virág BOGYÓ / Csilla HÓDI (HU), Aubrey RAMAGE LAY (USA), József SÓS (HU), Dia ZÉKÁNY (HU)
The public exhibition shown the results of the workshop including the works of young artists and students realized in collaboration with Thomas Kilpper. The project space itself represented the processuality of the past two weeks and hosted several artworks and sketches emerged during this time. Display of the videos were hidden corners of the “bunker”, Documentations of the interventions in the public space are integrated into a kinetic installation occupying the central space. Made out of discarded cassette and video tapes, the display system itself incorporates the DIY-strategies of political and civil activism. On the opening night the participants introduced a video work, created by collecting random video-strips and gluing them together for a new moving image. Using this magnetic media, unlike to celluloid tape, the content of these strips stayed invisible during work, enabling connotations on observation and blind censorship.
During the opening night some of the artist, dressed in protective clothing and the stretch-wrap used on the public sculptures during the interventions, started to whiten their own sketches on the walls of the exhibition space. The gesture of covering the murals and creating a white cube exhibition space can be understood as an act of self-critic or self-censorship: motives of pure activism have been deleted.
Motivated by the project’s setting in an old Chinese restaurant, the participants wanted to engage with the idea of Chinese cuisine in Budapest. On the opening night of the exhibition, connected to the video of Judit Kis, it’s protagonist,Tao cooked a traditional Chinese soup for the visitors. This soup would normally be cooked with dove flesh. In resonance with a belief in the political nature of food, and also the formative powers of eating together, the soup-without-doves is the meeting of cultures
Nóra Lukács (Igor Metropol, Concept, Projekt Management, Realisation)
Katja Melzer (Igor Metropol, Concept, Projekt Management)
Szilvia Nagy (Project Assistance, Texts)
Júlia Laki (Texts, Translations, Proofreading)
Ágnes Patakfalvi-Czirják, Anna Foitl, Olga Sára Kelenhegyi, Viola Lukács, Fanni Tihany (Volunteers)
Zoltán Kékesi, Szabolcs Kisspál, Allan Siegel (advisors from the Hungarian University of Fine Arts, Budapest)
Intermedia Faculty / Magyar Képzőművészeti Egyetem (Hungarian University of Fine Arts)
Ludwig Múzeum Budapest
ifa – Institute for Foreign Cultural Relations (Germany)
NKA – Nemzeti Kulturális Alap (Hungary)